February 27, 2017

Do you have time for a story? No? Not even a short one? Never mind then.

I became acquainted with this Philip Whalen poem when I heard it read by Barry Magid (podcast, Ordinary Mind Zendo). I’ve been walking many of the paths Whalen traveled (Portland, Reed, San Francisco, zen) and now we meet again.

“Hymnus Ad Patrem Sinensis” by Philip Whalen

I praise those ancient Chinamen
Who left me a few words,
Usually a pointless joke or a silly question
A line of poetry drunkenly scrawled on the margin of a quick
                         splashed picture—bug, leaf,
                         caricature of Teacher
    on paper held together now by little more than ink
    & their own strength brushed momentarily over it
Their world & several others since
Gone to hell in a handbasket, they knew it—
Cheered as it whizzed by—
& conked out among the busted spring rain cherryblossom winejars
Happy to have saved us all.

Saved. Next time my mind starts digging a hole, I’ll try to remember that those ancient folks already solved my problems for me. Just look behind the busted wine jars.

Thanks to Mud & Lotus for sharing the poem and calligraphy.

When did I take this book home? January? December? I remember a rainy gray winter Sunday. My wife had told me that she was “out of books,” so, ever the gallant provider, I had suggested that we swing by the Central Library on our way to dessert. I forget what she checked out, but she grabbed her usual handful, and I latched onto a single thick paperback that I had spotted in a special display.

Why had I taken this book? Simple. I judged it by it’s cover. The title appealed – I had just received a set of calligraphy pens (still unopened) for Xmas.  The cover drawing was beautiful as well: a series of elegantly inscribed Middle Eastern doorways that promised layers of meaning. The author’s name, Rafik Schami, sounded like music from my past, and the dust cover promised, “the Great Arab Novel.” Sigh. Just one book in my hand, but quite enough, yes?

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My longtime Portland friend and Fulbright scholar, Geoff Hiller, has a talent for taking pictures. He has traveled the world, most recently in Asia, collecting scenes from temples, mosques, weddings, open air markets, art schools, you name it. Now he’s turning to Kickstarter to launch a very special book: Burma in Transition.

This is something very special to see and share with others and support. There are just 28 days to go on this campaign so please help.

One summer, two books – both from 20th century English authors, both dwelling on love and hate, and yet they couldn’t be more different.

P.G. Wodehouse brings the lighter touch. He spins words into elaborate gossamer webs that seem completely insubstantial, and yet they have the power to ensnare. Consider this description of an late morning lack experienced by Wodehouse’s hero, Psmith: “For, though he had celebrated his first day of emancipation from Billingsgate Fish Market by rising late and breakfasting later, he had become aware by now of that not unpleasant emptiness which is the silent luncheon-gong of the soul.”

I have never had to escape an uncle’s fish market, but every summer I shift my rising and breakfasting to later hours than are possible during the school year. And that ‘not unpleasant emptiness’ that Wodehouse identifies seems like a daily occurrence.

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Unni Chacko has an idea: Thousands of years ago in the history of man, a great darkness has fallen. The war between good and evil has ended. And it has ended with the complete triumph of evil and a total, irrevocable extermination of good. Evil is cunning, it quickly splits itself into two – into apparent good and evil, so that mankind is under the delusion that the great conflict is still raging and it will not go in search of the truth.

Unni also has another idea: Every delusion has an objective, and the objective of a delusion is not merely to colonize one brain but to transmit itself to as many brains as possible. That is the purpose of every delusion, that is how a delusion survives, that is how it succeeds. By spreading, maximizing its colony, like a virus. Any philosophy that can be transmitted to another person is a delusion. If two people believe in the same idea of truth, it is a delusion. Truth is a successful delusion.

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White Lioness

July 26, 2013

In a departure from summer tradition, I passed up the opportunity to spend early June sliding down a second story drainpipe with Bertie Wooster and opted for the murderous mayhem served up by Kurt Wallander. A quick check shows that more than a half dozen Wallander mysteries remain on my closet shelf, and my last foray with the Swede (The Dogs of Riga) took place nearly a year ago, so reading my way through the full series could take a long time. I had better get busy…

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At Home

January 25, 2013

I’ve heard it said that writing books is for solitary people. If that’s true, then it is a great shame because I can’t imagine anything more fun than getting together with Bill Bryson every couple days for a half hour of story-telling. He would yak and I would just listen. Maybe I’d even take notes, because when I reached my next stop I would tell the first person I met, “hey, guess what Bill just told me …”.

But I guess this will never happen. As At Home: A Short History of Private Life makes clear from the outset, Bill lives halfway around the world in an old house in England. And … he writes books for a living so he is probably a solitary person, or so I’ve been told.

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Breakfast with Buddha

December 26, 2012

“When his sister tricks him into taking her guru, a crimson-robed monk, on a trip to their childhood home, Otto Ringling, a confirmed skeptic, is not amused.” (back cover)

I’ll say. I wasn’t amused either.

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The Tales of the Heike

December 25, 2012

Sometimes its hard to explain why I devote time to certain things. Sudoku puzzles, the daily comics (conveniently located on the same page as the sudoku), or reading a partial translation of an obscure piece of 13th Japanese literature. The puzzles … there is satisfaction in finding and filling in the numbers. The comics … sometimes I laugh. The literature … harder to say. Two Japanese families engage in a series of bloody battles. What’s the attraction? What kept me reading this instead of doing something more important?

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Get Shorty

September 5, 2012

I’ve been working on a couple of books to mark the end of my sabbatical and my summer. Get Shorty got the nod, partly because I’ve seen the movie a couple times, partly because Elmore Leonard was highly recommended by the old guy at the used-book sale for the Manzanita library, and partly because once I got the book home, it sat on the nightstand next to the bed mocking me: “Alan, look at me. I’m the book who is telling you how it is.” Dig,

Chili said, “Harry, look at me,” and waited to see his watery eyes in the kitchen light, frizzed hair standing up. “You’re trying to tell me how you fucked up without sounding stupid, and that’s hard to do.”

I love this stuff.

Chili tells Karen, “Okay, I was a loan shark up till recently and now I’m in the movie business.” Chili tells Ronnie the rich kid, “Hey, Ronnie? Look at me. You have a piece of a movie, Ronnie. That’s all. You don’t have a piece of Harry. … And that’s the way its gonna be.”

Chili was my dialect coach. I sounded like a small-time hood for days. Look at me. I’m the one telling you how it is. You have a piece of my blog, but you don’t have a piece of me. And that’s the way its gonna be.